Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Saturday 27 September 2014

Wells Cathedral (Part Eight).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



Fan-Vaulting in
Wells Cathedral.
Image: SHUTTERSTOCK



The West Front,
Wells Cathedral,
Somerset, England.
Photo: 30 April 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
License: CC-BY-SA 3.0
(Wikimedia Commons)


The Clock has its original Mediaeval Face. As well as showing the time on a 24-hour Dial, it reflects the motion of the Sun and Moon, the phases of the Moon, and the time since the last New Moon. The Astronomical Dial represents a geocentric or pre-Copernican view of the Universe, with the Sun and Moon revolving round a central fixed Earth, like that of the Clock at Ottery St. Mary. Every Quarter Hour, the Clock is chimed by a Quarter Jack, in the form of a small automaton, known as Jack Blandifers, who hits two Bells with hammers and two with his heels. At the striking of the Clock, Jousting Knights appear above the Clock Face.



The Dial of the Astronomical Clock,
inside Wells Cathedral.
Photo: 9 December 2008.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)


On the Outer Wall of the Transept, opposite Vicars' Hall, is a second Clock Face of the same Clock, placed there just over seventy years after the Interior Clock, and driven by the same mechanism. The second Clock Face has two Quarter Jacks (which strike on the Quarter Hour) in the form of Knights in Armour.

In 2010, the official Clock-Winder retired and was replaced by an electric mechanism.

The first record of an Organ at this Church dates from 1310, and a smaller Organ, probably for The Lady Chapel, was installed in 1415. In 1620, an Organ, built by Thomas Dallam, was installed at a cost of £398 1s 5d.(equivalent to about £75,000 as of 2012).

The Organ, that was installed in 1620, was destroyed by Parliamentary soldiers in 1643. An Organ, built in 1662, was enlarged in 1786, and again in 1855. In 1909–1910, an Organ was built by Harrison & Harrison, of Durham, with the best parts of the old Organ retained, and it has been maintained by the same company, since.

The first recorded Organist of Wells Cathedral was Walter Bagele (or Vageler) in 1416, and the Post of Organist, or Assistant Organist, has been held by more than sixty individuals since then.



Vicars' Close extends to the
North of Wells Cathedral.
Date: 2005-06-12.
Source: From geograph.co.uk
Author: Clive Barry
(Wikimedia Commons)


There has been a Choir of Boy Choristers at Wells Cathedral since 909 A.D. Currently, there are eighteen Boy Choristers, aged from eight to fourteen years. The Vicars Choral was formed in the 12th-Century, and the sung Liturgy was provided by a traditional Cathedral Choir of Men and Boys, until the formation of an additional Choir of Girls, in 1994.

The Boys and Girls sing alternately with the Vicars Choral, and are educated at Wells Cathedral School. The Vicars Choral currently numbers twelve Men, of whom three are Choral Scholars. Since 1348, the College of Vicars has had its own accommodation. The Vicars Choral generally perform with the Choristers, except on Wednesdays, when they sing alone, enabling them to present a different repertoire.

In December 2010, Wells Cathedral Choir was rated by Gramophone Magazine as "the highest ranking Choir with children in the World", and continues to provide music for the Liturgy at Sunday and Weekday Services. The Choir has made many recordings and toured frequently, including performances in Beijing and Hong Kong in 2012. Its repertoire ranges from the Choral Music of the Renaissance, to Recently-Commissioned Works.



The Choir and Organ
at Wells Cathedral.
Photo: 12 April 2013.
Source: Own work.
Author: Rodw.
(Wikimedia Commons)


The Bells, at Wells Cathedral, are the heaviest Ring of Ten Bells in the World; the Tenor Bell (the 10th, and largest), known as Harewell, weighing 56.25 Long Hundredweight (2,858 kg). They are hung for Full Circle Ringing in the English Style of Change Ringing. These Bells are now hung in the South-West Tower, although some were originally hung in the Central Tower.

The Library is above the Eastern Cloister, and was built between 1430 and 1508. The Library's Collection is in three parts: Early Documents, housed in the Muniment Room; the Collection pre-dating 1800, housed in the Chained Library; and the post-1800 Collection, housed in the Reading Room.

The Chapter's earlier Collection was destroyed during the Reformation, so the present Library consists, chiefly, of early-printed books, rather than Mediaeval Manuscripts. The earlier Books, in the Chained Library, number 2,800 Volumes, and give an indication of the variety of interests of the members of the Cathedral Chapter from the Reformation until 1800. The focus of the Collection is predominantly Theology, but there are Volumes on science, medicine, exploration, and languages. Books of particular interest include: Pliny's Natural History, printed in 1472; an Atlas of the World, by Abraham Ortelius, printed in 1606; and a set of the Works of Aristotle, that once belonged to Erasmus. The Library is open to the Public, at appointed times, during Summer, and has a small exhibition of Documents and Books.



Wells Cathedral and Bishop's Palace.
View of Wells Cathedral from beside
the Moat
to the Bishop's Palace.
Photo: 17 January 2010.
Source: From geograph.org.uk
Author: Philip Halling.
(Wikimedia Commons)


Three early Registers of the Dean and Chapter of Wells Cathedral – the Liber Albus I (The White Book; R I), Liber Albus II (R III) and Liber Ruber (The Red Book; R II, Section i) – were edited by W. H. B. Bird for the Historical Manuscripts Commissioners, and published in 1907. The Books comprise, with some repetition, a Cartulary of possessions of the Cathedral, with Grants of Land dating back as early as the 8th-Century, well before the development of hereditary surnames in England; they also comprise acts of the Dean and Chapter, and surveys of their Estates, mostly in Somerset.

The Cathedral is situated adjacent to a large area of lawn, Cathedral Green, which is approached by three Ancient Gateways, Brown's Gatehouse, Penniless Porch and Chain Gate. On Cathedral Green, is the 12th-Century Old Deanery, largely rebuilt, in the Late-15th-Century, by Dean Gunthorpe, and remodelled by Dean Bathurst in the Late -17th-Century. It is no longer the Residence of the Dean, and, instead, serves as offices for the Diocese.

To the South of the Cathedral, is the Moated Bishop's Palace, begun around 1210 by Bishop Jocelin of Wells, but dating mostly from the 1230s. In the 15th-Century, Bishop Beckington added the North Wing, which is now the Bishop's Residence. It was restored and extended by Benjamin Ferrey between 1846 and 1854.



Wells Cathedral's West Front,
as painted by J. M. W. Turner,
circa 1795. Watercolour on paper.
Source: http://www.tate.org.uk/art/
artworks/turner-west-front-of-
wells-cathedral-tw0782
(Wikimedia Commons)


To the North of the Cathedral, and connected to it by the Chain Gate, is Vicars' Close, a Street planned in the 14th-Century, and claimed to be the oldest purely residential Street in Europe, with all but one of its original buildings surviving intact. Buildings in Vicars' Close include the Vicars' Hall and Gateway at the South End, and the Vicars' Chapel and Library at the North End.

British painter J. M. W. Turner visited Wells Cathedral in 1795, making sketches of the Precinct and a watercolour of the West Front, now in the Tate Gallery. Other artists, whose paintings of the Cathedral are in national collections, are Albert Goodwin, John Syer and Ken Howard.

The Cathedral was used as an inspiration for Ken Follett's novel, The Pillars of the Earth, and, with a heavily modified Central Tower, featured as the completed fictional Kingsbridge Cathedral at the end of the 2010 television adaptation of that novel. The Interior of the Cathedral was used for the Doctor Who TV episode, 'The Lazarus Experiment', while the Exterior shots were filmed at Southwark Cathedral.


THIS CONCLUDES THE ARTICLE ON WELLS CATHEDRAL

Friday 26 September 2014

Pershore Abbey.


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



in the Winter Sun.
Date: 27 January 2007 (original Upload Date).
Source: Transferred from en.wikipedia;
transferred to Commons by User:Kurpfalzbilder.de using CommonsHelper.
Author: Original uploader was Greenshed at en.wikipedia
(Wikimedia Commons)


Pershore Abbey, at PershoreWorcestershire, England, was an Anglo-Saxon Abbey and is now an Anglican Parish Church.

The Foundation of the Minster, at Pershore, is alluded to in a spurious Charter of King Æthelred of Mercia (reigned 675 A.D. - 704 A.D.). It purports to be the Charter by which Æthelred granted 300 Hides of land, at Gloucester, to Osric, King of the Hwicce, and another 300 Hides of land, at Pershore, to Osric's brother, Oswald.

It is preserved, only as a Copy, in a 14th-Century Register of Gloucester, where it is followed by two Charters, listing the endowments made to the Abbey, until the Reign of Burgred, King of Mercia (852 A.D. - 874 A.D.). The 300 Hides, mentioned here, are unlikely to be a contemporary detail, as they were intended to represent the Triple Hundred, which later made up the area of Worcestershire. Historian H. P. R. Finberg suggests that the Foundation Charter may have been drafted in the 9th-Century, based on some authentic material.



Interior of Pershore Abbey.


Oswald's Foundation of a Monastery at Pershore is not stated explicitly in the Charter, but the Worcester Chronicle, Cronica de Anglia, written circa 1150, reports it under the Annal for 683 A.D., and John Leland, consulting the now-lost Annals of Pershore, places the event around 689. Patrick Sims-Williams suggests that the Foundation, by Oswald, may also represent an oral tradition at Pershore, as its Archives were probably destroyed in the fires of 1002 and, again, 1223.



Part of Pershore Abbey was demolished,
after the Reformation, when it was surrendered
to the King's Commissioners, in 1540.
Only the Tower, Choir and South Transept remain.
Photo: 23 November 2008.
Source: From geograph.org.uk.
Author: Philip Halling.
(Wikimedia Commons)


In the 9th-Century, Pershore comes to light, again, as a Minster under the Patronage of Mercian Kings. In other Charters, contained in the Gloucester Register, Coenwulf (reigned 796 A.D. - 821 A.D.) and Burgred are recorded as having been Patrons of Pershore. A Charter of King Edgar refers back to a Grant of Privileges by Coenwulf at the request of his Ealdorman (dux) Beornnoth.

In the Reign of King Edgar (959 A.D. - 975 A.D.), Pershore re-appears as one of the Abbeys to be re-established (or restored) under the programme of Benedictine reform. Writing circa 1000 A.D., the Ramsey Monk, Byrhtferth, relates that, under the auspices of Oswald, Bishop of Worcester, seven Monasteries were founded in his Diocese, notably including Pershore.



The Nave,
looking towards the High Altar,
Photo: Peter Moore.
Date: 16 March 2006 (original Upload Date).
Source: Transferred from en.wikipedia;
transferred to Commons by User:Kurpfalzbilder.de
Author: Original uploader was Amatire at en.wikipedia
(Wikimedia Commons)


The first Abbot was Foldbriht, whose name is sufficiently rare to suggest that he may be the same Foldbriht whom Bishop Æthelwold previously installed at Abingdon, Oxfordshire, and used to be a Monk of Glastonbury Abbey, before that time.

The Re-Foundation is what lies behind an exceptionally elaborate Charter for Pershore, dated 972 A.D., in which King Edgar is presented as granting new lands and Privileges, as well as confirming old ones, such as the one granted by Coenwulf. The authenticity of this document, however, has been questioned. Simon Keynes, in 1980, showed that it belongs to the so-called Orthodoxorum group of Charters, so named after the initial word of their proem (Editor: A Preface, or preamble, to a book], which he concluded were forgeries based on a Charter of Æthelred II's Reign.



Pershore Abbey.
Photo: 11 September 2007.
Source: Pershore Abbey.
Uploaded by Kurpfalzbilder.de
Author: David Merrett from
Daventry, England.
(Wikimedia Commons)


Since then, Susan Kelly and John Hudson have vindicated the status of some of these Charters, including the one for Pershore, which is written in "square minuscule" characteristic of some of Edgar's Charters. More recently, Peter Stokes has brought to light a variant Copy of the Charter and suggests that two different versions may have been produced around the same time, somewhere between 972 A.D., and 1066. A possible scenario is that they were produced to make up for the loss of the original Charter(s), perhaps shortly after the fire which is reported to have destroyed the Abbey in circa 1002.



The Norman Baptismal Font,
Pershore Abbey.
Photo: 21 July 2013.
Source: Own work.
Author: Martinevans123.
(Wikimedia Commons)


The 12th-Century historian, William of Malmesbury, who seems unaware of any pre-existing Minster, claims that Æthelweard (Egelwardus), whom he describes as "Ealdorman of Dorset", had founded the Abbey of Pershore in the time of King Edgar. Similarly, Osbert's "Life of Eadburh of Winchester" alleges that Alwardus, who is styled Comes (Latin: Companion) and Consul, was responsible for the Re-Foundation. Both authors also attribute to him a rôle in the Translation of some of the Saint's Relics to Pershore. Osbert writes that an Abbess of Nunnaminster had sold some Relics to Æthelweard (Alwardus), who, in turn, handed them over for the Re-Foundation of Pershore. Some Scholars have identified him with Æthelweard, the well-known Chronicler and Ealdorman of the Western Shires.

Whatever high-level Patronage the Foundation may have received, it was not enough to sustain its fortunes for very long. Precisely what happened to Pershore, in the Late-10th-Century, is poorly documented, but some sources seem to hint that it went into decline during the Succession Crisis which emerged in the wake of King Edgar's death.

William of Malmesbury says that "it, too, like the others, decayed to a pitiful extent, and was reduced by more than a half". According to Leland, the Annals of Pershore hold an Earl, called Delfer, responsible for depriving the Abbey of several of its lands. This Delfer has been interpreted as a misreading for Ælfhere (+ 983 A.D.), Ealdorman of Mercia (whom Leland mentions elsewhere).



Pershore Abbey,
from the West.
Date: 27 January 2007 (original Upload Date).
Source: Transferred from en.wikipedia;
Transferred to Commons by User:Kurpfalzbilder.de
Author: Original uploader was Greenshed at en.wikipedia.
(Wikimedia Commons)


While himself a Patron of Ely and Abingdon, Ælfhere was also charged with despoiling Reformed Monasteries during Edward the Martyr's brief Reign (975 A.D. - 978 A.D.). The targets included Houses Re-Founded by Bishop Oswald or Bishop Æthelwold and considerably enriched under the Patronage of Æthelstan Half-King's sons, notably Æthelwine, Ealdorman of East Anglia.

Evesham Abbey, for instance, as later reported by its own Chronicle, also claimed to have lost several of its lands in this way, and Winchcombe was disbanded altogether. Æthelwine, in his turn, was remembered at Ely as a despoiler of its lands. Tensions between Ælfhere and Bishop Oswald, whose authorities overlapped, and between Ælfhere and Æthelwine, with whom Oswald maintained a close relationship, are therefore likely to have been the principal cause of the upheaval. Whether a Liberty, similar to that of Oswaldslow, was an extra cause for concern, compromising Ælfhere's authority as Ealdorman, cannot be ascertained from the sources.

Pershore suffered worse misfortune when, according to Leland, it was destroyed by fire and subsequently deserted by the Monks, probably in the year 1002. The Monastic Archives were largely lost in the event, as no original Record, from before that date, survives, today.



Pershore Abbey: North Aisle,
Stained-Glass Window,
by Mayer and Company, 1898.
Photo: 21 July 2013.
Source: Own work.
Author: Martinevans123.
(Wikimedia Commons)


Pershore, however, found a generous Patron in the wealthy nobleman Odda of Deerhurst (+ 1056), who restored many of its lands and granted new ones. It has been suggested that he was a kinsman of the Ealdorman, Æthelweard. The earliest extant Record from the Archive of Pershore, a Charter of 1014 by which King Æthelred granted Mathon (Herefordshire) to Ealdorman Leofwine, may testify to Odda's restorations of lands to the House. The Monastery was active again by the 1020s, as its Abbot, Brihtheah, was promoted Bishop of Worcester, in 1033. Odda's brother, Ælfric, was buried at Pershore in 1053, joined three years later by Odda.

In Odda's life-time, the total landed assets of Pershore grew to 300 Hides, but, after the loss of its benefactor in 1056, about two-thirds were seized and given to Edward the Confessor's new Foundation at Westminster. The original single sheet, which preserves the fullest version of King Edgar's Re-Foundation Charter (though it need not be authentic), is marked by a number of textual alterations and erasures. Some of these changes may suggest a response to the Abbey's proprietary struggles.

From the Early-12th-Century, there is evidence that Pershore Abbey claimed possession of some of the Relics of Saint Eadburh of Winchester, the Sainted daughter of King Edward the Elder. Her body was initially buried at Nunnaminster (Winchester), but it was Translated, in the 960s A.D., to a more central spot in Winchester, and, again, to a Shrine in the 970s A.D. Among several possibilities, Susan Ridyard has suggested that the Eadburh, whose Relics were preserved at Pershore, may have been a Mercian Saint of that name, whose identity had become obscure.



Sculpture in the grounds of Pershore Abbey.
The Sculpture was made by
nothing more than a Chain Saw.
Photo: 4 July 2007.
Source: From geograph.org.uk.
Author: andy dolman.
(Wikimedia Commons)


The main building was begun in about 1100. In the 14th-Century, it benefited from the generosity of Adam de Harvington, Chancellor of the Exchequer, 1327-1330, who was probably related to the Abbot, William of Harvington. The Abbey was Dissolved in 1539. A Monk of Pershore, named Richard Beerely, was one of those who gave evidence to Thomas Cromwell about the misbehaviour of some of his Brothers, writing that "Monckes drynk an bowll after collacyon tell ten or xii of the clock, and cum to mattens as dronck as myss, and sume at cardes, sume at dyss." (Monks drink a bowl after breakfast until ten o'clock and come to Matins as drunk as mice, some (playing) at cards, some at dice.)

The Abbey Church remained in use as a Parish Church. When the North Transept collapsed, in 1686, a wall was built in its place. Further alterations were carried out, including a Restoration, by George Gilbert Scott, in 1862-1864. His work included the removal of the Belfry floor, and the opening up of the Lantern Tower, to expose the beautiful Internal Tracery Panelling. Scott described the Lantern Tower as the finest in the Country, after that of Lincoln Cathedral. The Tower Pinnacles were added in 1871.

In 1913, two Western Flying Buttresses were added, to replace the support from the missing portion of the building. The Church, as it now stands, represents only a small portion of the original building.



The South Transept, Pershore Abbey.
Norman (Romanesque) Arches
on the South Wall of the South Transept.
Photo: 23 November 2008.
Source: From geograph.org.uk.
Author: Philip Halling.
(Wikimedia Commons)


Major repairs were undertaken in 1994, to stabilise the South Transept with a Ring Beam and to strengthen its roof, and to Re-Point the Tower and Pinnacles. An underfloor heating system was installed.

Pershore Abbey has a 25 cwt Ring of Eight Bells. The Ringing Room, devised as part of Scott's 1862-1864 Restorations, is a metal 'cage', suspended high above The Chancel Crossing; it is accessed by means of two Stone Spiral Staircases, a Walkway through the Roof, a squeeze through a narrow Passage and a see-through Iron Staircase.



Pershore Abbey.
[Editor: Note the Flying Butteresses, installed in 1913]
Photo: 18 August 2010.
Source: Own work.
Author: Photograph by Mike Peel (www.mik



Flying Buttresses, Pershore Abbey.
These two large Flying Buttresses were built in 1913, after it was discovered that the Tower was in danger of collapse. The Buttresses are on the West Side of the Tower, on the site of the
former Nave, which was demolished in the 16th-Century.
Photo: 1 May 2007.
Source: From geograph.org.uk.
Author: Philip Halling.
(Wikimedia Commons)


In about 1840, the Abbey was given a new Font, and the original Norman Font was cast out into the Churchyard. It was later used as a cattle trough, and later used in a garden at nearby Kempsey. In 1912, a War Memorial was erected on the site of the Victorian Font and the old Font was returned, on a Pedestal, designed by Harold Brakspear. The Font is decorated with an interlacing Arcade, in the Panels of which are the figures of Christ and His Apostles.

A Three-Manual Organ, built by Nicholson of Malvern, in 1872, was removed several years ago and replaced with a Bradford Electronic Organ. There are currently no plans to re-install a Pipe Organ at Pershore Abbey. The Nicholson Organ was restored twice by J. W. Walker & Sons Ltd, in 1940, and 1971.


St Andrew Daily Missal (Traditional Mass)

Available (in U.K.) from

Available (in U.S.A.) from



Weekly Traditional Latin Masses In Kent. Maidstone, Ashford, Tenterden, Headcorn.


The current hiatus at Blackfen, Kent, England, where the new Parish Priest has banned the Celebration of Traditional Latin Masses, on the grounds that "they are DIVISIVE", encourages Zephyrinus to publicise the Traditional Latin Masses which
ARE CELEBRATED in Kent on a REGULAR WEEKLY BASIS ON SUNDAYS.

In addition, Traditional Latin Masses are Celebrated during the Week,
on Feast Days and Holy Days of Obligation.

There is a vibrant and happy group who attend these Masses and meet, after Mass,
for a lovely Lunch in various hostelries and locations.

Do come and join them. You will all be most welcome.

Besides Glorifying God in an edifying, Holy and Traditional manner,
you will see the wonderful Kent countryside changing throughout the Seasons,
which, in itself, Glorifies God.



              




MAIDSTONE, KENT.

CHURCH OF SAINT FRANCIS.


Photo: © Copyright Chris Whippet
and licensed for reuse under this

Traditional Latin Masses are Celebrated at the
Church of Saint Francis,
126, Week Street, Maidstone, Kent ME14 1RH,
(next to Maidstone East Railway Station)
at 1200 hrs,
on the FIRST SUNDAY OF EVERY MONTH.




ASHFORD, KENT.

CHURCH OF SAINT SIMON  STOCK.


Photo: WIKIMAPIA

  Traditional Latin Masses are Celebrated at the
Church of Saint Simon Stock,
Brookfield Road, Ashford, Kent TN23 4EU,
at 1200 hrs,
on the SECOND SUNDAY OF EVERY MONTH.




TENTERDEN, KENT.

CHURCH OF SAINT ANDREW.



Traditional Latin Masses are Celebrated at the
Church of Saint Andrew,
47, Ashford Road, Tenterden, Kent TN30 6LL,
at 1200 hrs,
on the THIRD SUNDAY OF EVERY MONTH.




HEADCORN, KENT.

CHURCH OF SAINT THOMAS OF CANTERBURY.


Photo © Copyright David Anstiss
and licensed for reuse

Traditional Latin Masses are Celebrated at the
Church of Saint Thomas of Canterbury,
Becket Court, 15, Station Road, Headcorn, Kent TN27 9SB,
(next to Headcorn Railway Station)
at 1200 hrs,
on the FOURTH SUNDAY OF EVERY MONTH.




WHEN THERE IS A FIFTH SUNDAY IN THE MONTH,
THE TRADITIONAL LATIN MASS IS CELEBRATED AT

ASHFORD, KENT.

CHURCH OF SAINT SIMON  STOCK.


Photo: WIKIMAPIA

  Traditional Latin Masses are Celebrated at the
Church of Saint Simon Stock,
Brookfield Road, Ashford, Kent TN23 4EU,
at 1200 hrs,
on the FIFTH SUNDAY OF EVERY MONTH.




Wells Cathedral (Part Seven).


Text and Illustrations from Wikipedia - the free encyclopaedia,
unless otherwise stated.



Fan-Vaulting in
Wells Cathedral.
Image: SHUTTERSTOCK



The West Front,
Wells Cathedral,
Somerset, England.
Photo: 30 April 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
License: CC-BY-SA 3.0
(Wikimedia Commons)


The large Triple Lancet, to the Nave West End, was glazed, at the expense of Dean Creighton, at a cost of £140 in 1664. It was repaired in 1813, and the Central Light was largely replaced, to a design by Archibald Keightley Nicholson, between 1925 and 1931. The main North and South Transept End Windows, by James Powell and Sons, were erected in the Early-20th-Century.

The greater part of the Stone Carving, of Wells Cathedral, comprises foliate Capitals in the Stiff-Leaf Style. They are found ornamenting the Piers of the Nave, Choir and Transepts. Stiff-Leaf foliage is highly abstracted, and, although possibly influenced by Carvings of acanthus leaves or vine leaves, cannot be easily identified as representing any particular plant.

At Wells Cathedral, the Carving of the foliage is varied and vigorous, the springing leaves and deep undercuts casting shadows that contrast with the surface of the Piers. In the Transepts, and towards The Crossing in the Nave, the Capitals have many small figurative Carvings among the leaves. These include a man with a toothache and a series of four scenes, depicting the "Wages of Sin", in a narrative of fruit stealers, who creep into an orchard and are subsequently beaten by the farmer. Another well-known Carving is in the North Transept Aisle, a foliate Corbel, on which climbs a lizard, sometimes identified as a salamander, a symbol of Eternal Life.



The Stellar Vault, of
The Lady Chapel, has Lierne Ribs,
making a Star within a Star.
Photo: 9 December 2008.
Source: Own work.
Author: Mattana.
(Wikimedia Commons)


Carvings, in the Decorated Gothic Style, may be found in the Eastern End of the buildings, where there are many Carved Bosses. In the Chapter House, the Carvings of the fifty-one Stalls include numerous small heads, of great variety, many of them smiling or laughing. A well-known figure is the Corbel of the dragon-slaying Monk in the Chapter House Stair. The large continuous Capital, that encircles the Central Pillar of the Chapter House, is markedly different in style to the Stiff-Leaf of the Early-English period. In contrast to the bold projections and undercutting of the earlier work, it has a rippling form and is clearly identifiable as grapevine.

Wells Cathedral has one of the finest sets of Misericords in Britain. Its Clergy has a long tradition of singing or reciting from The Book of Psalms each day, along with the customary daily reading of The Holy Office. In Mediaeval times, the Clergy assembled in the Church eight times daily for the Canonical Hours. As the greater part of the Services were recited while standing, many Monastic, or Collegiate Churches, were fitted with Stalls, in which the seats tipped up to provide a convenient ledge for the Monk or Cleric to lean against. They were called "Misericords", because their installation was an Act of Mercy. Misericords typically have a Carved figurative bracket beneath the ledge, framed by two floral motifs, known, in the Heraldic manner, as "Supporters".

The Misericords date from 1330 to 1340. They may have been Carved under the direction of Master Carpenter John Strode, although his name is not recorded before 1341. He was assisted by Bartholomew Quarter, who is documented from 1343. The Misericords originally numbered ninety, of which sixty-five have survived. Sixty-one are installed in the Choir, three are displayed in the Cathedral and one is held by the Victoria and Albert Museum.



Saint Andrew's Cross Arches,
under the Tower.
Photo: 8 July 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
License: CC-BY-SA 3.0.
(Wikimedia Commons)


New Stalls were ordered when the Eastern End of the Choir was extended in the Early-14th-Century. The Canons complained that they had borne the cost of the rebuilding, and ordered that the Prebendary Clerics should pay for their own Stalls.

[Editor: A Prebendary Cleric is a Senior Member of Clergy, normally supported by the revenues from an Estate or Parish. The holder of the Post is connected to an Anglican, or Roman Catholic, Cathedral or Collegiate Church, and is a type of Canon, who has a rôle in the Administration of the Cathedral.

A Prebend is the form of Benefice held by a Prebendary, and, historically, the Stipend attached to it was usually drawn from specific sources in the Income of the Cathedral's Estates. When attending Cathedral Services, Prebendaries sit in particular Seats, usually at the back of the Choir Stalls, known as Prebendal Stalls].

When the newly-refurbished Choir opened, in 1339, many Misericords were left unfinished, including one fifth of the surviving sixty-five. Many of the Clerics had not paid, and were required to contribute a total sum of £200. The Misericords survived better than the other sections of the Stalls, which, during the Protestant Reformation, had their Canopies chopped off and Galleries inserted above them. One of the Misericords, depicting a boy pulling a thorn from his foot, dates from the 17th-Century. In 1848, there was a complete re-arrangement of the Choir furniture, and sixty-one of the Misericords were re-used in the restructured Stalls.



The Golden Window,
at the East End of the Choir,
Wells Cathedral,
depicting the Tree of Jesse.
Date: 14 February 2008.
Source: Wells Cathedral HDR photo
Uploaded by russavia.
Author: IDS.photos from Tiverton, U.K.
(Wikimedia Commons)


The subject matter, of the Carvings of the Central Brackets on Misericords, is very varied, but with many common themes occurring in different Churches. Typically, the themes are less unified, and less directly related to the Bible and Christian Theology, than are the themes of small sculptures seen elsewhere within Churches, such as those on Bosses.

This is much the case at Wells Cathedral, where none of the Misericord's Carvings are directly based on a Biblical story. The subjects, chosen either by the Wood-Carver, or, perhaps, by the individual paying for the Stall, have no over-riding theme. The sole unifying element is the roundels on each side of the pictorial subject, which are all elaborately Carved foliage, in most cases formal and stylised in the later Decorated manner, but with several examples of naturalistic foliage including roses and bindweed.

Many of the subjects carry traditional interpretations. The image of the "Pelican in her Piety" (believed to feed her young on her own blood) is a recognised symbol for Christ's love for the Church. A cat playing with a mouse may represent the Devil snaring a human Soul. Other subjects illustrate popular fables or sayings, such as: "When the fox preaches, look to your geese". Many of the subjects are depictions of animals, some of which may symbolise a human vice or virtue, or an aspect of Faith.

Twenty-seven of the Carvings depict animals: rabbits, dogs, a puppy biting a cat, a ewe feeding a lamb, monkeys, lions, bats, and the Early-Christian motif of two doves drinking from a ewer. Eighteen of the Misericords have mythological subjects, including mermaids, dragons and wyverns. Five of the Carvings are clearly narrative, such as the Fox and the Geese, and the story of Alexander the Great being raised to Heaven by griffins. There are three heads: a Bishop in a Mitre, an Angel and a woman wearing a veil over her hair, arranged in coils over each ear.



The Five Windows of The Lady Chapel
contain Ancient Stained Glass,
mostly fragmentary,
except for the Central Window.
Photo: 9 July 2014.
Source: Own work.
Author: Diliff.
Photo by DAVID ILIFF.
License: CC-BY-SA 3.0.
(Wikimedia Commons)


Some of the Cathedral's fittings and Monuments are hundreds of years old. The Brass Lectern in The Lady Chapel dates from 1661, and has a moulded stand and foliate Crest. In the North Transept Chapel, is a 17th-Century Oak Screen, with Columns, formerly part of Cow Stalls, with artisan Ionic Capitals and Cornice, which is set forward over the Chest Tomb of John Godelee. There is a Bound Oak Chest, from the 14th-Century, which was used to store the Chapter Seal and Key Documents.

The Bishop's Throne dates from 1340, and has a Panelled, Canted Front, and Stone Doorway, and a Deep Nodding Cusped Ogee Canopy above it, with Three-Stepped Statue Niches and Pinnacles. The Throne was restored by Anthony Salvin, around 1850. Opposite the Throne, is a 19th-Century Octagonal Pulpit, on a Coved Base, with Panelled Sides, and Steps up from the North Aisle. The Round Font, in the South Transept, is from the former Saxon Cathedral and has an Arcade of Round-Headed Arches, on a Round Plinth. The Font Cover was made in 1635 and is decorated with the heads of Putti. The Chapel of Saint Martin is a Memorial to every Somerset man who fell in World War I.



The Dial, and Quarter Jacks, of the Clock,
of Wells Cathedral,
on the Outer Wall
of the North Transept.
Photo: 2 July 2008.
Source: Own work.
Author: Lamiai.
(Wikimedia Commons)

[Editor: The Latin
"Niquid Pereat",
above the Clock Face,
translates as
"Nothing Is Lost".]


In the North Transept, is Wells Cathedral's Clock, an Astronomical Clock from about 1325, believed to be the work of Peter Lightfoot, a Monk of Glastonbury. Its mechanism, dated to between 1386 and 1392, was replaced in the 19th-Century, and the original mechanism moved to the Science Museum, in London, where it continues to operate. It is the second-oldest surviving Clock in England, after the Salisbury Cathedral Clock.


PART EIGHT FOLLOWS
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