Notre Dame de Rouen. The façade of the Gothic Church in France. Photographer: Hippo1947. Licence: SHUTTERSTOCK.

Friday 17 May 2024

On The Office Of Vespers For Sundays And Feasts During The Time After Pentecost.



English: Vespers for Sunday.
Deutsch: Vesper vom Sonntag - 
Liber usualis (1954) S. 250f.
Photo: 16 September 2016.
Source: Own work.
(Wikimedia Commons)



English: Second Vespers of The Fourth Sunday After Easter.
From the Church of Saint-Eugène - Sainte-Cécile, Paris.
Français: Secondes vêpres du IVème dimanche après Pâques.
Available on YouTube at

The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Vespers is a Service of Evening Prayer, one of The Canonical Hours in Eastern Orthodox, Oriental Orthodox, Catholic (both Latin and Eastern), Lutheran, and Anglican Liturgies. The word for this Fixed Prayer Time comes from the Latin “Vesper”, meaning “Evening”.[1]

Vespers typically follows a set order that focuses on the performance of Psalms and other biblical Canticles. Eastern Orthodox Services advertised as “Vespers” often conclude with Compline, especially the All-Night Vigil.[2] Performing these Services together without break was also a common practice in Mediæval Europe, especially Secular Churches and Cathedrals.[3]

Old English Speakers translated the Latin word “Vesperas” as “æfensang”, which became Evensong in Modern English. The term is now usually applied to the Anglican variant of the Service that combines Vespers with Compline, following the conception of Early-16th-Century worshippers that conceived these as a single unit. The term can also apply to the Pre-Reformation form of Vespers or forms of Evening Prayer from other denominations.[4]

Vespers is usually Prayed around Sunset. In Oriental Orthodox Christianity and Oriental Protestant Christianity, The Office is known as “Ramsho” in The Indian and Syriac Traditions; it is Prayed facing The East by all members in these denominations, both Clergy and Laity, being one of the Seven Fixed Prayer Times.[5][6]



The following Text is from “The Liturgical Year”.
   By: Abbot Guéranger, O.S.B.
   Volume 10.
   Time After Pentecost.
   Book I.

The Office of Vespers, or Evensong, consists firstly of the five following Psalms. For certain Feasts, some of these Psalms are changed for others, which are more appropriate for these Feasts.

After The Pater and The Ave have been said in secret, The Church commences this Hour with her favourite supplication:

Versicle: Deus, in adjutorium meum intende.
Response: Domine, ad adjuvandum festina.

Gloria Patri, et Filio, et Spiritui Sancto,
Sicut erat in principio, et nunc et semper, et in sæcula sæculorum.

Amen.
Alleluia.

Antiphon: Dixit Dominus.

The first Psalm (Psalm 109) is a Prophecy of the future glories of The Messias. The Son of David shall sit on The Right-Hand of The Heavenly Father. He is King; He is Priest; He is The Son of Man, and The Son of God.

His enemies will attack Him, but He will crush them. He will be humbled, but this voluntary humiliation will lead Him to The Highest Glory.


Psalm 109.

Dixit Dominus Domino meo:
Sede a dextris meis.

Donec ponam inimicos tuos:
Scabellum pedum tuorum.
Virgam virtutis tuæ emittet Dominus ex Sion:
Dominare in medio inimicorum tuorum.

Tecum principium in die virtutis tuæ ub splendoribus sanctorum:
Ex utero ante luciferum genui te.

Juravit Dominus, et non pœnitebit eum:
Tu es Sacerdos in æternum secundum ordinem Melchisedech.

Dominus a dextris tuis;
Confregit in die iræ suæ reges.

Judicabit in nationibus, implebit ruinas:
conquassabit capita in terra multorum.

De torrente in via bibet:
propterea exaltabit caput.

Antiphon: Dixit Dominus Domino meo,
Sede a dextris meis.

Antiphon: Magna opera Domini.

The following Psalm (Psalm 110) commemorates The Mercies of God to His people, The Promised Covenant, The Redemption, His Fidelity to His Word.

But it also tells us that The Name of The Lord is terrible, because it is Holy; and concludes by admonishing us, that The Fear of The Lord is the beginning of Wisdom.



Psalm 110 is then sung.

The next Psalm (Psalm 111) sings the happiness of the Just Man, and his hopes on the day of his Lord's coming. It tells us, likewise, of the confusion of the sinner who shall have despised the Mysteries of God's love towards mankind.


Psalm 111 is then sung.

The next Psalm (Psalm 112), Laudate Pueri, is a Canticle of Praise to The Lord, Who, from His High Heaven, hath taken pity on the human race, and has vouchsafed to honour it by The Incarnation of His Own Son.


Psalm 112 is then sung.

The fifth Psalm (Psalm 113), In Exitu, recounts the prodigies witnessed under the ancient Covenant: They were figures, whose realities were to be accomplished in the mission of The Son of God, Who came to deliver Israel from Egypt, emancipate The Gentiles from their idolatry, and pour out a Blessing on every man who would consent to fear and love The Lord.



Psalm 113 is then sung.

After the five Psalms (above), a short Lesson from The Holy Scriptures is read. It is called Capitulum, or, Little Chapter, because it is always very short. Those Capitulums for the several Festivals are given in The Propers of each.


The Capitulum is then read.

Then follows the Hymn. We here give the one for Sundays (Lucis Creator). It was composed by Saint Gregory the Great. It sings of Creation, and celebrates the praises of that portion of it which was called forth on this first day, viz, The Light.


The Hymn is then sung.

The Versicle, which follows the Hymn, and which we give here, is that of the Sunday; those for the Feasts are given in their Propers.

Versicle: Dirigatur, Domine, oratio mea.

Response: Sicut incensum in conspectu tuo.



Then is said the Magnificat Antiphon, which is to be found in the Propers.

After this, The Church sings the Canticle of Mary, The Magnificat, in which are Celebrated The Divine Maternity and all its consequent Blessings. This exquisitely sweet Canticle is an essential part of The Office of Vespers. It is the Evening Incense, just as the Canticle Benedictus, at Lauds, is that of the Morning.


The Magnificat Antiphon is then repeated.

The Prayer, or, Collect, is then said. It is given in The Proper of each Feast and Sunday.

Versicle: Benedicamus Domino.

Response: Deo Gratias.

Versicle: Fidelium animæ per misericordiam Dei, requiescant in pace.

Response: Amen.

Thus ends Vespers.


“The Liturgical Year”.
By: Abbot Guéranger.
Available from

“A Special Pleader”. By: Charles Burton Barber (1845-1894).



“A Special Pleader”.
Artist: Charles Burton Barber (1845–1894).
Date: 1893.
Source/Photographer: Web Screenshot.
This File: 14 November 2013.
(Wikimedia Commons)


Charles Burton Barber.
Date: 1880.
Author: Unknown.
(Wikimedia Commons)

The following Text is from Wikipedia - the free encyclopædia,
unless stated otherwise.

Charles Burton Barber (1845–1894), was a British painter who attained great success with his paintings of children and their pets.

Barber was born in Great Yarmouth in Norfolk, and studied from the age of 18 at the Royal Academy, London - receiving a Silver Medal for drawing in 1864, and first exhibiting there in 1866.


“Suspense”.
Artist: Charles Burton Barber (1845–1894).
Date: 1894.
Source/Photographer: Reproduction from Art Book.
This File: 29 December 2009.
(Wikimedia Commons)

During his lifetime, Barber was regarded as one of Britain's finest animal painters and received commissions from Queen Victoria to do paintings of her with grandchildren and dogs,[1] and also The Prince of Wales (later King Edward VII) and his pets.

A number of his portraits are in The Royal Collection. He exhibited at The Royal Academy from 1866 to 1893. In 1883, he was elected a member of The Royal Institute of Oil Painters.


English: “Off to School”.
Français: “En route pour l'école”
Artist: Charles Burton Barber (1845–1894).
Date: 1883.
Source/Photographer: Rehs Galleries
(Wikimedia Commons)

Barber became a very popular sporting and animal painter, specialising particularly in sentimental portraits of dogs, often with children. His work ranged from photographically realistic to quick sketches. Although some have regarded his work as overly sentimental, his work remains popular, largely because of his competent painting.

Barber received his final commission in 1894 to paint Queen Victoria, with her grandchildren, in her pony-carriage. He died in London soon afterwards. His place as foremost painter of children and pets was taken by Arthur Elsley.

Many of Barber’s paintings were made into prints, usually in the medium of photogravure. He exhibited at The Royal Institute of Oil Painters, Walker Art Gallery and Manchester Art Gallery. Much of his art is at The Lady Lever Art Gallery in Port Sunlight.

Saint Paschal Baylon. Confessor. Feast Day, Today, 17 May.


Text from The Saint Andrew Daily Missal,
unless stated otherwise.

Saint Paschal Baylon.
   Confessor.
   Feast Day 17 May.

Double.

White Vestments.


English: Saint Paschal Baylon Adoring The Eucharist.
Italiano: San Pasquale Baylon e l'adorazione eucaristica (Ignoto sec. XVIII).
Photo: 1 January 2002.
Source: Own work.
(Wikimedia Commons)


Born in the Kingdom of Aragon, in Spain, Saint Paschal, in his childhood, tended sheep. At the age of twenty, he entered as a Lay-Brother in The Order of Saint Francis, where he became a model of the greatest austerity, of the most complete obedience, and of the most Seraphic poverty (Epistle).

His Meditation of The Things of God (Introit) was so profound that he was absorbed into ecstasies of love. It gave him a knowledge of Divine Things, which enabled him to speak about the most obscure Mysteries of The Faith.


Church of Saint Paschal Baylon,
Taranto, Italy.
Photo: 5 June 2008.
Source: Own work.
(Wikimedia Commons)

He was especially celebrated for his Devotion to The Blessed Sacrament (Collect), and spent hours in Prayer before The Tabernacle.

Pope Leo XIII declared him Protector of all Eucharistic Congresses and Works. Like "the servants who await the coming of their Master" (Gospel), Saint Paschal awaited the coming of Jesus at the exact hour he had foretold, 17 May 1592, at Pentecost, the anniversary of his birth, and he ascended to Heaven, following The Risen Christ.

Let us imitate the love of Saint Paschal for The Eucharist, “so that we may deserve to draw from this banquet the same abundance of Graces which he found there” (Collect).

Mass: Os justi.

Thursday 16 May 2024

“Come To Mass” And “Vesting Prayers For Priests”. From Biretta Books.



“Come To Mass”.
$9.00.
Available from BIRETTA BOOKS


“Vesting Prayers for Priests”.
$5.00.
Available from BIRETTA BOOKS

Saint Ubaldus (1084-1160). Bishop And Confessor. Feast Day 16 May.


Text is taken from The Saint Andrew Daily Missal,
unless otherwise stated.

Saint Ubaldus.
   Bishop and Confessor.
   Feast Day 16 May.

Semi-Double.

White Vestments.


Fresco of Saint Ubaldus at Gubbio, Umbria, Italy.
Source: http://www.ilmiositoweb.it/santubaldo/Santo.htm
(Wikimedia Commons)



The Race Of The Ceri.
La Calata, Gubbio, Italy.
Available on YouTube at

Saint Ubaldus, born at Gubbio, Umbria, Italy, received Episcopal Consecration (Introit, Epistle, Alleluia) and was obliged, by Pope Honorius II, to take the government of that Church (Communion).

After having, under the guidance of The Holy Ghost, by his Charity and Apostolic zeal, put to full advantage the talents which God had entrusted to him, he piously fell asleep and "entered into the joy of his Lord" (Gospel) on Whit-Sunday evening.

He died in 1160 and his body has remained intact up to our time. Let us ask this Saint, to whom God gave special power against Satan, to preserve us from all the malice of the devil (Collect).

Mass: Státuit.


The Festival of La Corsa dei Ceri, at Gubbio, Italy.
The statue of Saint Ubaldo leads the Procession, 
followed by Ceri, topped with the statues of 
Date: 2000.
This File: 29 April 2006.
User: Starlight
(Wikimedia Commons)


The following Text is from Wikipedia - the free encyclopædia.

The Basilica is the finishing-point for the annual Saint Ubaldo Day Procession on 15 May (in Italian, La Corsa dei Ceri). The Procession includes a race between three teams of men, each representing one of the Town's three Guilds:

The Masons (in Gold) with a statue of Saint Ubaldo;
The Merchants (in Blue) with a statue of Saint George;
The Peasants (in Black) with a statue of Saint Anthony.

The participants dress in colourful "Ceraioli" and carry three, nearly-900-pound, wooden stands and statues (Ceri) of their Saints through the City to the City Gates. Thereafter, the teams sprint up Mount Ingino to the Basilica, where the statues remain until the following May. A similar Festival is celebrated in Jessup, Pennsylvania, United States of America. The event is considered an important contribution to the Town's tourism industry.


English: Courtyard; Basilica of Sant’Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo,
Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Ubaldo of Gubbio (Italian: Ubaldo; Latin: Ubaldus; French: Ubalde; circa 1084–1160) was a Mediæval Bishop of Gubbio, in Umbria, today Venerated as a Saint by The Catholic ChurchSaint Ubaldo Day is still Celebrated at the Basilica of Sant'Ubaldo, in Gubbio, in his honour, as well as at Jessup, Pennsylvania.

Born Ubaldo Baldassini, of noble parents, at Gubbio, Italy, Ubaldo lost his father while still very young. He was educated by the Prior of the Cathedral Church of his native City, where he also became a Canon RegularSaint Sperandia was a relative of Ubaldo.

He felt a Vocation to become a Monk, and entered the Monastery of Saint Secondo in the same City, where he remained for some years. Recalled by his Bishop, he returned to the Cathedral Monastery, where he was made Prior. Having heard that, at Vienna, Blessed Peter de Honestis, some years before, had established a very fervent Community of Canons Regular, to whom he had given special statutes which had been approved by Pope Paschal II, Ubaldo went there, remaining with his Brother Canons for three months, to learn the details and the practice of their rules, wishing to introduce them among his own Canons of Gubbio.


English: The Courtyard of the Basilica of Sant'Ubaldo, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo, Gubbio, Umbria, Italy.
Photo: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


This he did at his return. He earned a reputation for piety, poverty (for all his rich patrimony, he had given to The Poor and to the restoration of Monasteries), humility, mortification, meekness, and fervour, and the fame of his Holiness spread in the Country, and several Bishoprics were offered to him, but he refused them all.

Ubaldo is said to have prevented Frederick Barbarossa from sacking Gubbio, as the Emperor had sacked Spoleto in 1155.

However, the Episcopal See of Gubbio becoming vacant, he was sent, with some Clerics, by the population to ask for a new Bishop from Pope Honorius II, who, having Consecrated him, sent him back to Gubbio. To his people, he became a perfect pattern of all Christian virtues, and a powerful protector in all their Spiritual and Temporal needs.

He died after a long and painful illness of two years.


English: The glass sarcophagus of Saint Ubaldo,
Basilica of Saint Ubaldo, Gubbio, Umbria, Italy.
Italiano: Gubbio - Urna con le spoglie di S. Ubaldo
(nella Basilica di S. Ubaldo).
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


Numerous Miracles were attributed to him during his life and after his death. At the solicitation of Bishop Bentivoglio, Pope Celestine III Canonised him in 1192. His power, as we read in the Office for his Feast, is chiefly manifested over the evil spirits, and the Faithful are instructed to have recourse to him “contra omnes diabolicas nequitias”.

The Life of the Saint was written by Blessed Theobaldus (Theobald, Teobaldo), his immediate successor in the Episcopal See, and, from this source, is derived all the information given by his numerous biographers. The body of Ubaldo, which had at first been buried in the Cathedral Church by the Bishops of Perugia and Cagli, at the time of his Canonisation was found flexible and incorrupt, and was then placed in a small Oratory on the top of the hill overlooking the City, where, in 1508, at the wish of the Duke of Urbino, the Canons Regular built a Church, frequented by numerous Pilgrims, who come to visit the Relics.


English: Basilica of Saint Ubaldo, Gubbio,
Umbria, Italy.
Italiano: Gubbio - Basilica di S. Ubaldo.
Date: August 2009.
Source: Own work.
Author: Geobia
(Wikimedia Commons)


The Devotion to the Saint is very popular throughout Umbria, but especially at Gubbio, where, in every family, at least one member is called Ubaldo. The Feast of their Patron Saint is Celebrated by the inhabitants of the country around with great Solemnity, there being Religious and Civil Processions which call to mind the famous Festivities of the Middle Ages in Italy.

The Basilica of Sant'Ubaldo is a Sanctuary atop Monte Ingino, just above the City. Noteworthy, are the Marble Altar and the Great Windows with episodes of the Life of Ubaldo. The finely-sculpted Portals and the fragmentary frescoes give a hint of the magnificent 15th-Century decoration once boasted by the Basilica.

Outside of Italy, a finger Relic of Saint Ubaldus is Venerated in the Saint-Theobald Collegiate Church of Thann, Haut-Rhin, France.

Wednesday 15 May 2024

Lay Movement Launches International Campaign For “Total Freedom Of The Traditional Liturgy”.


Illustration: EP.


This Article is taken from, and can be read in full at,
EDWARD PENTIN


Being a Catholic in 2024 is no easy endeavour. The West is undergoing a massive de-Christianisation, so much so that Catholicism appears to be vanishing from the public sphere.

Elsewhere, the number of Christians being persecuted for their Faith is on the rise. What’s more, The Church has been struck by an internal crisis that manifests itself in a decline in Religious practice, a downswing in Priestly and Religious vocations, a decrease in Sacramental practice, and even a growing dissension between Priests, Bishops and Cardinals which, until very recently, was utterly unthinkable.

Yet, among all the things that can contribute to the internal revival of The Church and to the renewal of her missionary zeal, there is, above all, the worthy and reverent Celebration of her Liturgy, which can be greatly fostered thanks to the example and the presence of the Traditional Roman Liturgy.



Despite all the attempts that have been made to suppress it, especially during the present Pontificate, it lives on, continuing to spread and to sanctify the Christian people who are Blessed to be able to benefit from it. 

It bears abundant fruits of piety, as well as an increase of vocations and of conversions. It attracts young people and is the fount of many flourishing works, especially in schools, and is accompanied by a solid catechesis. 

No-one can deny that it is a vector for the preservation and transmission of The Faith and Religious practice in the midst of a waning of Religious belief and a dwindling number of believers. 



This Mass, due to its venerable antiquity, can boast of having sanctified countless Souls over the Centuries. Among other vital forces still active in The Church, this form of Liturgical life stands out because of the stability given to it by an uninterrupted “Lex Orandi”.

Certainly, some places of Worship have been granted, or rather tolerated, where this Liturgy can be Celebrated, but too often what has been given by one hand is taken back by the other, without, however, ever managing to make it vanish.

Since the massive decline during the period immediately following the Second Vatican Council, every attempt has been made on numerous occasions to revive Religious practice, to increase the number of Priestly and Religious vocations, and to preserve The Faith of the Christian people.



Everything, except letting the people experience the Traditional Liturgy, by giving the Tridentine Liturgy a fair chance. Today, however, common sense urgently demands that all the vital forces in The Church be allowed to live and prosper, and in particular the one which enjoys a Right dating back to over a millennium.

Let there be no mistake: The present appeal is not a petition to obtain a new tolerance as in 1984 and 1988, nor even a restoration of the status granted in 2007 by the Motu Proprio “Summorum Pontificum”, which, recognising in principle a Right, has in fact been reduced to a regime of meagrely-granted permissions.

As Lay People, it is not for us to pass judgement on the Second Vatican Council, its continuity or discontinuity with the previous teaching of The Church, the merits, or not, of the reforms that resulted from it, and so on.



On the other hand, it is necessary to defend and transmit the means that Providence has employed to enable a growing number of Catholics to preserve The Faith, to grow in it, or to discover it.

The Traditional Liturgy plays an essential role in this process, thanks to its transcendence, its beauty, its timelessness and its doctrinal certainty.

For this reason, we simply ask, for the sake of the true freedom of the children of God in The Church, that the full freedom of the Traditional Liturgy, with the free use of all its Liturgical Books, be granted, so that, without hindrance, in the Latin Rite, all The Faithful may benefit from it and all Clerics may Celebrate it.

Jean-Pierre Maugendre, Managing Director of Renaissance Catholique, Paris, France.

22 April 2024.



This appeal is not a petition to be signed, but a message to be disseminated, possibly to be taken up again in any form that may seem appropriate, and to be brought and explained to the Cardinals, Bishops, and Prelates, of The Universal Church.

Si Renaissance catholique a l’initiative de cette campagne, c’est uniquement pour se faire l’interprète d’un large désir en ce sens qui se manifeste dans l’ensemble du monde catholique. Cette campagne n’est pas la sienne, mais celle de tous ceux qui y participeront, la relayeront, l’amplifieront, chacun à leur manière.

Renaissance Catholique is a Paris-based movement of Lay People working to re-establish the social reign of Christ.
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